Welcome to the "old" Exchange!


This site is now "read only," and will not accept new posts. Please see the announcement below regarding the new and much improved Exchange, located at the new IMTAL website! In the meantime, please feel free to visit and browse through the many museum theatre topics and issues that have been posted prior to February 1, 2004.


...And please remember to renew your IMTAL membership!


The new IMTAL website can be found at http://www.imtal.org

 


Re: Conflict Resolution in Museums

by

 

Hi Robert:

Are you familiar with a genre of theatre creation known as Forum Theatre, which was developed by a South American theatre practitioner named Augusto Boal? I recently had a chance to study it in a week long intensive workshop with Headlines Theatre of Vancouver, British Columbia, and to implement it into a program I’ve developed for the Glenbow Museum in Calgary, Alberta, examining issues around post railway immigration to western Canada.

Boal developed Forum Theatre (sometimes known as Theatre of the Oppressed) as a way to allow disadvantaged people to tell their stories through drama, and to use improvisation as way to explore solutions to their problems.

There is a book I’d recommend – GAMES FOR ACTORS AND NON ACTORS by Augusto Boal. As well, I’d suggest taking a look at the website for Headlines Theatre at www.headlinestheatre.com to see the range of workshops they offer.

Closer to you, you might want to check out a theatre company called TieBreak in Norwich, England – I don’t know if they’re still around, but if they are, they at one time did a lot of work around Boal’s teachings and Forum Theatre.

If you are interested in a summary of how I’ve applied Forum Theatre to my program on immigration, let me know, and I’ll email it to you. I’ve also submitted an article to INSIGHTS on a series of programs I developed for the New York Museum of Modern Art’s POP IMPRESSIONS exhibition when it hit the Glenbow last year. The emphasis was upon the life and work of Andy Warhol, and I developed extensive drama based programming to be delivered to both schools and the public. It was the most fun I’ve ever had in a museum.

I hope this helps,

Steve Gin
Creative Director, Teatro Berdache /
Education & Interpretation, Glenbow Museum
Calgary, Alberta
Canada
BurkeGin@aol.com




Posted on Dec 24, 2003, 3:00 PM

Respond to this message

Goto Forum Home

Find more forums on Fine Arts & MuseumsCreate your own forum at Network54
 Copyright © 1999-2009 Network54. All rights reserved.   Terms of Use   Privacy Statement  

Please remember to renew your IMTAL membership!