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Anonymous (no login)
Posted Sep 6, 2009 6:57 PM
The "authority" people use for using any form of music in the "school of the Bible" is David and the Levites. What most preachers missed is that it was because of musical idolatry at Mount Sinai that God abandoned the NATIONAL system to the tribe of LEVI and the SPIRITUAL PEOPLE attended The Church of Christ in the wilderness QUARANTINED from what was pagan and evil
Gen. 49:5 Simeon and Levi are brethren; instruments of cruelty are in their habitations.
Gen. 49:6 O my soul, come not thou into their secret; unto their assembly,
......mine honour, be not thou united:
......for in their anger they slew a man, and in their selfwill they digged down a wall.
Gen. 49:7 Cursed be their anger, for it was fierce; and their wrath, for it was cruel:
......I will divide them in Jacob, and scatter them in Israel.
It is a fact that after the last blasphemy which brought on the conditional sentence at Mount Sinai was carried out, was by David. David had sinned so that he could not go to the designated place of the Tabernacle. Rather than kill David, God gave him a Jebusite High Place where he built an ALTERNATIVE tabernacle. He was now 100% one of those kings God gave in His anger. Samuel records God's abandonment of the national system to a NATIONAL (Canaanite, Egyptian, Babylonian etal) Civil-Military-Clergy complex to carry out the captivity and death sentence. This was not irrational because the musical idolatry at Mount Sinai caused God to ABANDON the Civil-Military-Clergy over to worship the starry host. Christ PRESERVED the Spiritual Thread from that with the Church of Christ which was to Rest, Read and Rehearse the Word of God and was EXCLUSIVE of vocal or instrumental rejoicing. THAT is the patternism of Christ and that never changed.
Acts 7:43 Yea, ye took up the tabernacle of Moloch, and the STAR of your god Remphan,
......figures which ye made to worship them:
......and I will carry you away beyond Babylon.
That is where the Babylon mother of harlots resurfaces in the END TIME using "lusted after fruits" or performing the roles of women as speakers, singers and instrument players John called SORCERERS who HAD deceived the whole world.
Stephen (Acts 7 you missed in sermons, songs and classes) says that:
God gave (by Grace) David a TENT which permitted the "worship of the starry host"
But, David built God a HOUSE
But, God does not LIVE IN nor is worshipped in houses built by human hands: God is worshipped IN the place of the human spirit which ALL forms of "music" intends to shut down so that you watch THE EFFEMINATE performance and therefore worship THEM.
David was the king of the Civil-Military-Clergy complex worshiping the STARS and SERPENTS: Christ in the prophets (for the Spiritual thread) calls the robbers and parasites. Not surprising since God WARNED the elders when they demanded a SENIOR PASTOR to rule them it would be terminal.
"David succeeded in transferring the traditions of the Confederacy to Jerusalem: the Ark, the Tabernacle, the priesthood. But in this change something happened to the character of 'Israel,' to the structure of the community.
No longer was Israel, the people of God, bound together on the basis of covenant allegiance to Yahweh at the central sanctuary;
Israel was now bound together politically, on the basis of a contract between king and people (II Sam. 5:3). As citizens of the state, the people of Israel owed allegiance to a king who could take a census, exact forced labor, and require submission to his power...
As Israel became a state modeled after other oriental monarchies, more and more she lost her distinctive character and faced the danger of being swallowed up in the power struggle and cultural stream of the Near East." (Anderson, p. 188).
That is repeated in the TURF BATTLES by preachers and elders which makes church--like the monarchy--a 100% political institute with no connection to the Qahal, synagogue or Church of Christ in the wilderness where Christ OUTLAWED vocal or instrumental rejoicing.
"There is incontrovertible archaeological evidence for the antiquity of the musical guilds themselves. The Phoenicians (Canaanites) outshone their contemporaries in music, and the Israelites were early influenced by them.
......Musical guilds of the Hebrews may be traced back in some instances,
......to old Canaanite families whose designations, such as Hemen the Ezrahite (I Chron. 2:6),
......became a part of later Hebrew family names." (Unger, Merril, Archaeology and the Old Testament, Zondervan, P. 216-7)
"The trained musicians which eventually appear around the time of David and Solomon mark a distinctive change in the history of Jewish music. Before this time much of the music was made by women." (Zondervan Pict., Music p. 313).
"In an inscription from Cyprus, in one from Rhodes and in several from around the district of Carthage, [The Source of Molech Worship]
there are references to important personages who bear the title Mqm'lm which we can translate as AROUSERS of the god.'" (de Vaux, Roland, The Bible and the Ancient Near East, Doubleday, p. 247).
"We even have a mention at a later date of a similar custom in connection with the cult in Jerusalem, where certain LEVITES, called me'oreim, 'AROUSERS,' sang (every morning?) this verse from "Ps 44:23: "Awake, O Lord! Why do you sleep? Rouse yourself! Do not reject us forever." The Talmud tells us that John Hyrcanus suppressed the practice because it recalled too readily a pagan custom." (Roland de Vaux, p. 247).
So, you see, the Levites cursed by their father, were the PRIESTS offering sacrifices to MOLOCH: especially in Tyre and Jerusalem whose temple was built by the same architect. Just AFTER Hezekiah's plague stopping BURNT OFFERING where the INSTRUMENTS were played and which GOD DID NOT COMMAND, the burning of infants was restoredd.
![[linked image]](http://www.piney.com/MolechFlame.jpg)
The Levites cannot be used as authority for "musical worship teams": Christ reserved that as a MARK. They were an old guild and that is why Molech worship or burning infants to the beat of all kinds of loud singing and playing instruments was common in Jerusalem. In Isaiah 30 Christ in Spirit uses this Molech worship as a PATTERNISM of the MARKS and SOUNDS of God driving His old Assyrian/Egytian enemies into HELL. The PROOF that God is carrying out the final judgment causing all of the squirming and clapping will be be SINGING and playing wind, string and percussion instruments. Isaiah 30. This is repeated for the end time (now) when the church of the Babylon mother of Harlots (Inanna, Lucifer, Zoe) (Rev 17) uses lusted after fruits (same ones in Amos) as SELF-speakers, singers and instrument players whom John calls SORCERERS. Those with the DOGS (Cynic howlers), liars and are also destined to the Lake of Fire. We are to see the Lying Wonders of deluded people before Jesus returns as a MARK and SOUND to flee Babylon.
If you care enough to quit singing and clapping and become A School of Christ through the Bible, you will discover that the GUILD NAMES, the names of the instruments, the term prophesying, the dress, the dance and the style of singing (falsetto or a cappella or CCM) were all done PLAYING THE PART OF WOMEN.
"Before the establishment of the kingdom under Saul, it was the women who, as in every young civilization, played a major part in the performance of music. Such figures as Miriam, Deborah, Jephtha's daughter, and the women hailing the young hero David have become almost archetypes of female musicians. Characteristic of all these cases is the familiar picture of a female chorus, dancing and singing, accompanied by frenzied drum-beating [hand clapping]. This is the scene known to the entire Near East, and not even the severe rule of Islam could wholly suppress this age-old practice." (Int Dict of the Bible, Music, p. 457).
Including the Levites who "performed the role of women", the Babylonian Tablets, all of the contemporaneous literature, the Classics and church fathers PROVE that when you turn from SPEAK or SAY to SING or PLAY it is both the mark and producer of the effeminate. The Zoe Group had to bring in an expert to assure them that the Platonic Fallacy was not true.
SO, it is a fact that the Ark Moving slaughter and Vileness was the MARK of the first use in the MONARCHY used by almost all people who impose any kind of performance music. The FIRST folly was in trying to involve EVERYONE who could get there. In the second fearful ATTEMPT only those connected with the Civil-Military-Clergy and their camp followers who were involved. It was PERMITTED only because it was the role of the old LEVI tribe already abandoned to worship the starry host. AFTER God has removed His candlestick (seven spirits of Divine knowledge) THEN you are in fact COMMANDED to impose worship teams with or without instruments: you have lost your right to choose.
David as a King to carry out the worship of the Starry Host did not follow the Law of Moses intended to protect the weak from the strong but ENSLAVED the weak and stole their property and gave it to his MINISTERY TEAM including the Levites where in the Greek sacrificial system they were called PARASITES.
http://www.piney.com/MuDavAdd.html
Yes, instruments or any musical form is DIRECTLY COMMANDED for any church which has replaced the TEACHER with sermonizers and "made the lambs dumb before the slaughter" which was THE purpose of EXORCISM noise in the killing of innocent animals to eat their flesh and to fleece the dumb. In fact, you probably DO NOT HAVE ANY CHOICE in the matter just as the Israelites were ABANDONED to worship the starry hosts. These stars always carried the meaning of performing STARS.
Since a musical instrument is a "machine for doing hard work mostly in making war and creating the shock and awe of religious rituals" (Outlawed by Jesus as the laded burden) is the ONLY meaning of LEGALISM<.b> in the Greek literature. That was always teaching the LAWS of Apollo (Abaddon, Apollyon) by the muses or musicians in Revelation 18 identified as dirty adulteresses and SORCERS who burn in hell. That is why LEGALISTS always point the gun in the wrong direction. |
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