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Music in the EKKLESIA is outlawed: Both as Civil and Church or Synagogue.

May 17 2007 at 12:14 PM
 
from IP address 69.19.14.34

 
Where there is a "musical" concept mentioned throughout all of the New Testament, the same writer prefaces it with identifying paganism where music was used as enchantment or as John called it, sorcery. Then, the assembly is defined as school of the Bible as the Restorers grasped, but where and rhetoriic or singing which AROUSES mental excitement is EXCLUDED. At the same time the functions of the synagogue is defined as to SPEAK or READ the Word as "that which is written" (Rom 15), Psalms, hymns and spiritual songs (all inspired text) (Eph 5) emphasized in Col 3 as THE WORD OF CHRIST.

The following chart shows Col 3 where instead of "melody" as musical Paul uses the word GRACE in the heart. In the very next chapter, Paul defines the SYNAGOGUING task in greater details and there is no room for MUSIC which would DEFEAT the role of teaching and violate the direct sworn duty of the elders to "teach that which has been taught."

We will show that what Paul commanded for the assembly (synagogue words) was what he practiced and what he DIRECTLY COMMANDED that Timothy do without any hing of SINGING to create the "spiritual anxiety created by religious rituals" which Jesus died to shut down along with the "doctors of the Law who take away the key to knowledge."




You are free to be taken captive or be led by the blind: the prophecy is that it is the MASSES consigned to the marketplace and MARKED by the PSALLO ROPE who have been taken captive by the LOCUSTS who in John's message to those with eyes and ears are the Musical Performers or Sorcerers.

 
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69.19.14.22

Colossians 2 Parallel to chapter 3

May 19 2007, 9:54 AM 





 
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69.19.14.29

Music MARK of TREADING OUT THE GRAPES.

May 22 2007, 9:20 AM 

All musical terms and names of instruments in the Bible derive from vile or polluting influences. For instance, the PSALTERY (related to making vile) is the same Hebrew word oftranslated as WEAPON. I was asked to review the WHITE PAPER prepared by the elders (aka preacher) to prove that God commanded instrumental music. When Max Lucado got his "vision" to take CHRIST out of the persona and to ADD instrumental music, the vision is quite identical to the Farmer's Branch paper which follows the Christian Church friends books which twist every known text.

They use the word NAGAN meaning to PLAY as authority. Because the review is too long I have posted some notes on NAGAN which is used interchangeably with Chalal (h2490) which is translated as "play the flute, steal your inheritance, cast as profane, pollute and prostitute." Not really good PROOF text with which to sow massive discord and make yourself into a joke. The word is used in "Lucifer cast as profane out of heaven." A similar Greek word speaks of Jesus CASTING OUT the musical minstrels LIKE DUNG.

http://www.piney.com/Farmers-Branch-Nagan.html

here are a few examples of the MUSIC as the MARK of God's winevat (new wineskins) Vat of Wrath: wrath being ORGE or ORGY which speaks of the "new style charismatic music from old style Babylon."




Why do you suppose that false teachers cannot find a SINGLE passage bad-mouthing musical instruments as worship when you can hardly stick a pin in the Bible without hearing God SHOUT WARNINGS that people who USE musiic on you want to USE you for their own fun and mercinary greed?

I got my latest Gospel Advocate and the same Biblical ignorance fairly SHOUTS OUT that God COMMANDED instrumental music AS WORSHIP under the Law but WE now live in a spiritual dispensation. Those who AFFIRM the false teachings used by lhireling-preacherlings SHARE THE GUILT for leaving the NEW TESTAMENT CHURCH criminally ignorant of the OLD TESTAMENT except as lifted proof texts.

If you believe and teach that God COMMANDED instrumetnal praise under the "olden law" but has changed His mind, you REALLY need to quit fighting agaisnt God.

 
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66.82.9.59

Discorse (Ekklesia) EXCLUDES flute girls etal except for DRUNKS.

May 26 2007, 9:14 PM 

Plato Protagoras: putting the FLUTE GIRLS and PIPERS in the MARKETPLACE where they BELONG. "Demagogue" is defined as "appeasing the crowd by using the performing arts." Does it REALLY make you feel INTELLEGENT to know that in the message of Paul: "Fools love to be fooled?"

[347c] But if he does not mind, let us talk no more of poems and verses, but consider the points on which I questioned you at first, Protagoras, and on which I should be glad to reach, with your help, a conclusion. For it seems to me that arguing about poetry is comparable to the wine-parties of common market-folk.
Where Jesus consigned the pipers, singers and dancers.
    These people, owing to their inability to carry on a familiar conversation over their wine
    by means of their own voices and discussions--such is their lack of education
    put a premium on flute-girls by hiring the extraneous voice of the flute at a high price,
    and carry on their intercourse by means of its utterance.
But where the party consists of thorough gentlemen who have had a proper education,
    you will see neither flute-girls nor dancing-girls nor harp-girls,
    but only the company contenting themselves with their own conversation,
    and none of these fooleries and frolics--each speaking and listening decently in his turn,
Except for David's rising up to PLAY music was always a FEMALE OCCUPATION. One church father notes that when you see a male singing and playing he is either DRUNK or PERVERTED.

Your elder is a WOLF and he/they BELIIEVE as in the Reimaging the Church that you are TOO IGNORANT by evolution to understand WORDS and therefore the FEED you MUSIC and IMAGES which is treating you like a "dancing girl" who dares to dance with God.

Dancing girl is "orchestris." They PIPED hoping to get Jesus and others to become dancing-girls to sing and dance." That always meant to be used and abused!

 
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69.19.14.24

All church fathers call music HERESY: no exception!

May 28 2007, 4:39 PM 

Arnobius defining MUSICAL HERESY for which there is NO EXCEPTION WHATEVER they tell you.

32. But let there be, as you wish, honour in wine and in incense,
let the anger and displeasure of the deities be
    appeased by the immolation and slaughter of victims :
    are the gods moved by garlands also, wreaths and flowers,
    by the jingling of brass also, and the shaking of cymbals,
    by timbrels also, and also by symphonious pipes?
    What effect has the clattering of castanets,
    that when the deities have heard them,
    they think that honour has been shown to them,
    and lay aside their fiery spirit of resentment in forgetfulness?
Or, as little boys are frightened into giving over their silly wailings by hearing the sound of rattles,
    are the almighty deities also soothed in the same way by the whistling of pipes?
    and do they become mild, is their indignation softened, at the musical sound of cymbals?
What is the meaning of those calls which you sing in the morning,
    joining your voices to the music of the pipe? [defined as a fatal MARK]
    Do the gods of heaven fall asleep, so that they should return to their posts?
    What is the meaning of those slumbers to which
    you commend them with auspicious salutations that they may be in good health?
Are they awakened from sleep;
    and that they may be able to be overcome by it,
    must soothing lullabies be heard?
The purification, says my opponent, of the mother of the gods is to-day.


Note: At daybreak on opening, and at night on closing the temple, the priests of Isis sang hymns in praise of the goddess (cf. Jos. Scaliger, Castigationes ad Cat., etc., p. 132); and to these Arnobius refers sarcastically, as though they had been calls to awake, and lullabies to sing her asleep.

http://www.piney.com/FatArnoHerVII.html#32.

We have noted that DISCIPLES understand that MOSES of the Old Testament is a warning against the EGYPTIAN paganism the Israelites practiced at Mount Sinai. For that God ABANDONED them to worship the Starry Host. The Bible is perfectly clear but the Greek writers and church Fathers clearly defined the Jewish religion as identical to that of Egypg, Greece and Babylon: that was what they PRAYED for.

Even David wanted to AWAKEN his lyre so he could awaken the Dawn (mother of Lucifer) and during the intertestament period these AWAKENING Psalms were not permitted.

 
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69.19.14.24

Paul defines you as SORCERS or WIZZARDS.

May 29 2007, 3:43 PM 

Why has Jannes and Jambres received their Second Incarnation?"

2 Tim 3: 10 But thou hast fully known
my doctrine, manner of life, purpose, faith, longsuffering, charity, patience,

2 Tim 3: 11 Persecutions, afflictions, which came unto me at Antioch, at Iconium, at Lystra;
what persecutions I endured: but out of them all the Lord delivered me.

2 Tim 3: 12 Yea, and all that will live godly in Christ Jesus shall suffer persecution.

2 Tim 3: 13 But evil men and seducers shall wax worse and worse,
deceiving [wandering stars], and being deceived.


Their danger is that they BELIEVE their own lies and cannot even quote anything without twisting it to FIT their brains which The Book of Enoch and many other documents PROVE that making the MUSIC MEANS WORSHIP CONNECTIONS is hard wired and there is no redemption-ever.

Evil is PONEROS (G4190) EVIL INFLUENCE, DISEASED, DERELICT, FACINOROUS,

DECEIVERS fill the role of the Serpent or Musical Enchater: the singing and harp playing prostitute in the garden of Eden.

G1114 goes go'-ace From goao (to wail); properly a wizard (as muttering spells), that is, (by implication) an impostor:seducer.

See First Corinthians Chapter One as Paul begins all of his messages.

http://www.piney.com/1.Corinthians.1.html

Goes
[goaô] 1. one who howls out enchantments, a sorcerer, enchanter, Hdt., Eur.; goęsi kataeidontes charming by means of sorcerers, Hdt. 2. a juggler, cheat,

Kat-aidô I. trans., charm, appease by singing, sing a spell or incantation ( [epôidę] ) to . . , kataeidontes . .., to be induced by charms to do a thing, epôidę , Ion. and poet. epaoidę , hę, A.song sung to or over: hence, enchantment, spell
    Barbaros A. barbarous, i.e. non-Greek, foreign
    Magikos ,II.magical, bibloi Ps.-Phoc.149 ; m. technę magi [Rev 18)
    E.IT1337 . Euripides, Iphigenia in Tauris

    Messenger

    When we came to the sea-shore, where Orestes' [GENDER CONFUSED] ship was moored in hiding, [1330] Agamemnon's daughter motioned to those of us you sent with the strangers' bonds to stand far off, as if her sacrifice of purifying flame, that she had come for, were secret. But she went on alone, holding the strangers' chains in her hands, behind them. Your servants, lord, were suspicious, [1335] but we allowed it. After a while, so that we might think that she was accomplishing something, she raised a shout, and chanted strange songs and spells, as if she were washing off the pollution of murder. When we had sat a long time, [1340] it occurred to us that the strangers, loosed from their bonds, might kill her and escape by flight. But we were afraid of seeing what we ought not, and sat in silence. But at length we all resolved to go where they were, although we were not allowed.
Goes Regularly appears with

Sophis-tęs , ou, ho, master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, meletan sophistais prosbalon Pi.I.5(4).28 , cf. Cratin.2; of MUSICIANS, sophistęs

And when they shall say unto you,
Seek unto them that have familiar spirits,
and unto wizards that peep, and that mutter:
should not a people seek unto their God?
for the living to the dead? Isa 8:19


The familiar spirit is a dry, empty wineskin. It serves as the echo chamber of the nebel which means 'VILE.' It has the same meaning as the harp and the sounding brass in 1 Cor. 13. Amos identifies the MARZEAH which like the Agape was a perverse and perverting musical festival WITH and FOR dead ancestors called DEMON WORSHIP.

To the law and to the testimony:
if they speak not according to this word
it is because there is NO LIGHT in them. Isa 8:20


That is why they do not hesitate to lie TO God and ABOUT God and are able to lead a "multidude to do evil."

Jesus commanded the EKKLESIA or SCHOOL OF THE BIBLE which is for BIBLE STUDY ONLY as the ONLY way to keep the wolves from taking control. Wolves defining a style of singing or musical praise which most of you LOVE.

2 Tim 3: 14 But continue thou in the things
which thou hast learned
and hast been assured of,
knowing of whom thou hast learned them;

2 Tim 3: 15 And that from a child thou hast known the holy scriptures,
which are able to make thee wise unto salvation
through faith which is in Christ Jesus.


Only a foundation in the Old Testament makes one competent to be a disciple and take advantage of Salvation: Much of Paul's writings are commentary on the Old Testament specificially to condemn the PLAY or musical idolatry at Mount Sinai.

G4991 soteria so-tay-ree'-ah Feminine of a derivative of G4990 as (properly abstract) noun; rescue or safety (physically or morally):--deliver, health, salvation, save, saving.

Consistent with ALL of the NOT musical passages demanding that we use "that which is writen" the SAME Paul tells the SAME story in all of his letters: that is why the changeling-hirelings REJECT the Epistles and preach JUST JESUS but ANOTHER Jesus which they found in the mirrow.

2 Tim 3: 16 All scripture is given by inspiration of God,
and is profitable for doctrine, for reproof, for correction, for instruction in righteousness:

2 Tim 3: 17 That the man of God may be perfect, throughly furnished unto all good works.


And it is FREE (Isaiah 55): The CLAIM to be MESSIAH because they claim to "lead you into the presence of God." Because they are standing in the "holy places" of church architecture, WHY are they not as SORCERERS really agents of the Mother of Harlots (Lucifer, Zoe) and you find YOURSELF proven NOT to be the ELECT because you have been LED ASTRAY by witchcraft. Lynn Anderson's Navigating the Winds seems to be a take off of witchcraft or Wicca or neo-paganism so you GET what they NAVIGATE you into with a HIGH HAND.

ALL of the NOT singing passages have Paul insisting that the ASSEMBLY is a SYNAGOGUE or school of the bible. It has no AUTHORITY for anything not connected to teaching the WORD as it has been taught.

Refusing to "sing that which is written" or "teach that which has been taught" is, according to Isaiah's COMMANDS AND EXAMPLE passage because THERE IS NO LIGHT IN THEM. Why pay for one who has according to Revelation 18 brought in SORCERERS to keep FROM teaching the Word when John proves that even the CANDLES have been removed. Shame.

 
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69.19.14.31

What about CHURCH FATHERS? Wrong again.

June 12 2007, 5:41 PM 



Being fed by the NACC writers and "unity" speakers, a small number have not hesitated to make claims which if before a judge would get them in prison for contempt of Court. What shall we say of those who says that men like Clement and Chrystom or THE CHURCH FATHERS had nothing bad to say about instrumental music the the WORSHIP SERVICE.

They ALL knew that the church was an ekklesia or synagogue or school of the Bible. They knew that there was "no praise service" by direct command and universal understanding in the synagogue.

They also knew that all of the slaughtering of innocent animals with loud EXORCISING NOISE was the result of God abandoning them to the worship of the Starry Host where such paganism was identical to that at Tyre or Babylon or in Egypt.

Click to see one Homily by Chrystom to which no false teacher will ever find an exception. Here, he understands both the practices and Paul's definition of the PLAY at Mount Sinai as musical demon worship. Here are a few quotes as well as his warning to the women not to get involved in the MUSICAL DEMON WORSHIP which mostly the Mad Women in Corinth and other places were most susceptible.


 
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120 "Deacons" (allegiance unknown)
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Unknown number of "demons" (Flying everywhere, to many to count)
 

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