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FAQ

August 9 2002 at 2:09 AM

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Vintage watches

January 19 2003, 9:24 AM 

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1950īs advertising booklet: The GP story

January 19 2003, 9:48 AM 



    
This message has been edited by pc01 on Mar 31, 2003 8:40 PM


 
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A quick look on vintage watch cases by GP

March 31 2003, 9:00 PM 


 
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A pictured addition (1930īs Mimo)

September 16 2003, 12:46 PM 

Hereīs some addition to the Quick look on vintage watch cases by GP which included a scan of a mid 1930īs catalogue by Mimo (GPīs sister brand at this time):




More or less by accident, i ran into what matches this report nicely:





You can see the scans of the ad in full glory on the case report pages.
This one is a mid/late 1930īs water proof watch case, all stainless steel (quite a novelty then) by Mimo





and here you see the four screws holding the back:





The dial is aged



(and i leave it to you if this has to be regarded beautiful patina or badly stained ). Another view





The dial is very evenly tarnished, which is probably mostly caused by the former luminous numeral. I suspect it had Radium numerals once (of course they are no longer active and glowing), which often leave a brownish patina on the dials.
Apart from that, the dial is in quite a good condition (no signs of rust); thatīs a sign of a good case which prevents from moisture very well.

Interestingly, this one is signed Mimo only on the movement. It has been usual practice by a wide variety of jewellers/retailers for many decades to put their own name on the dials instead of the brand; names like Tourneau, Caldwell, Tiffany, Turler, Gubelin and Huber (of Munich/Germany) come to mind. In fact, there are other watches bearing the name H. Horrmann/Leipzig (which was a jeweller in those days) by other makers such as IWC.

The movement is a Mimo/GP 72, a rectangular 7 3/4x11 ligne with "finger bridges" and 15 jewels; not the pinnacle of swiss watchmaking, but a "good movement" then.

This watch was one of the bigger examples then, measuring 23mm width and 39mm length (over the "lugs").
And the last question which may arise is: How does it look on the wrist?
Now, see and judge by yourself:





In my opinion, itīs still a wearable size today.

Hope you enjoyed,
greetings from germany,

Peter

 
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How to set vintage GPīs

December 20 2003, 3:31 AM 

From the instruction sheets in mid/late 1960īs:






 
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Is GP a real manufacture (and why do they use ETA bases)?

January 23 2003, 11:11 PM 

(recent posting)

G`day,

just a few thoughts:


  1. No maker today does every part of his movements.

    Rolex is (besides ETA) the only maker to make hair springs, but apart from this parts as screws and springs are ordered from outside. Shock protection (such as incabloc) canīt be made by the makers due to patent infringements.

    In a "traditional" sense of making every single part of the movement, i would say there is nearly no manufacture for far more than 100 years.
    Since the upcoming of industrial production after 1750īs, almost any maker had at least various parts made by others.

    There are many reasons to do so and the most important ones are quality and price.

    If you make precision parts, you will have bad pieces or defects in your production. Thatīs something impossible to avoid (not only in watchmaking) and itīs much easier to control if the series is bigger. If you need only 1000 pieces of a certain part with a few 1/1000mm accuracy, it will be very hard to do them equally. Itīs much easier to go for a larger scale production run and pick up the best 1000 pieces.

    In addition, production of precision parts require extremely expensive tooling and machinery such as spark erosion cutting machines. One of this can easily cost a few 100.000 US-$ which is quite an investment if you do only small series of some hundred or 1000 pices. Besides, these machines are really slow. Often not more than 10 parts per hour can be done. And you need qualified personal.

    That said, making every part in-house may not result in a higher quality, but certainly in much higher prices.


  2. The use of outsourced ebauches like ETA is even more a question of prices.

    The GP 3080 column wheel chronograph movement in the "Vintage45" is much more expensive than a calibre 2280 ETA-base movement in a "Pour Ferrari" chronograph, a GP 3200 movement in a "Classiqe Elegance" is much more expensive than a calibre 2200 ETA-base movement in a "Pour Ferrari".

    Of course GP can do their own movements, has done so for more than 200 years and will emphasize on those in the future.
    They do so because there is a market for these watches. And there are collectors and enthusiasts who appreciate the quality inherited, willing to pay a much higher price. If you look at the "Pour Ferrari" (ETA base) and the current "2000" (GP base) watch lines, the difference in price is obvious.

    The development of a movement is reportedly not much easier than a carīs engine. The costs are huge and at least in the 7 digits. And it takes much time: For example, Patek is working on in-house chronograph movements for many many years and still itīs a project. IWCīs in-house automatic movement has been designed in 1947; but the very first examples ready to sell were made in 1950.
    This investment has to be divided by the number of movements one does. Making a simple automatic movement easily extends 1.000.000 US-$ investment for the brand. Given the annual production of about 16.000 watches (including all lines), a watch with such a movement is much more expensive than a watch with an ETA base.
    This is one of the reasons Lange does hardly any steel watches; a Lange 1 in a steel case would not be much cheaper in store.

    And of course, GPīs tourbillons and minute repeaters are in-house and hand made. The necessary parts (more than 100 individual parts for a tourbillon escapement) arenīt readily available. The assembly of those requires experience and much time, not including the hand made finishing, decoration and regulation. Thatīs the reason why these pieces are so special and "mass production" of more than a few hundred pieces a year is not possible.

    Conclusion: Of course GP does provide in-house movements (and many of them) if you are willing to pay for this premium.

    And my very personal take: I donīt think every in-house movement is better than a base movement only because it was made in a manufactory. There are many very good watches having a ETA, Lemania, JLC or F. Piguet base movement. Itīs not the movement, but what you make of it. On the level of production costs, an ETA 2892-A2 can be $50 or $100. But it easily can be more than $1000 if refinished and detailed by hand.



Greetings from germany,
Peter

(GP-forum co-moderator)

 
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White gold watch cases by Girard-Perregaux

November 15 2003, 3:02 PM 

Are GPīs white gold watch cases rhodium-plated?

Hereīs the answer by GP Switzerland:


"No, our white gold cases are not rhodium-plated. Actually, we use a gold/palladium alloy, whose colour is white enough. Maybe that it is a little less bright than a plated finish, and it is more expensive than other alloys because of the palladium, but we have 2 advantages:
  • No allergies due to the presence of nickel in the metal (by the way, the steel we use is also nickel-free)
  • No need to plate again after polishing (to remove scratches for instance)



 
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GP Literature: Books and more

November 25 2003, 1:58 PM 

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Chaille, Francois - Girard-Perregaux

November 25 2003, 1:59 PM 



to come out soon.

 
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Carrera, Roland (and GP) - Horloger Par Vocation

November 25 2003, 2:00 PM 

The 1991 publication by GP and Roland Carrera "Horloger par Vocation" does contain some important informations about the history and philosophy of GP:



 
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Carrera, Roland - Symphony For An Equation

November 25 2003, 2:01 PM 

Roland Carreraīs book about the Equation quartz models appeared in mid 1990īs and introduces these finely made pieces:



 
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Carrera, Roland (and GP) - Tourbillon Under Three Gold Bridges

November 25 2003, 2:02 PM 

Roland Carreraīs 1983 book about the first series of Three Gold Bridges tourbillon (the spring-detent escapement pocket watches):

picture by theartoftime.com

 
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The Virtual Factory Tour - impressions of factory visits

December 20 2003, 3:32 AM 

MTFīs great tour through the GP facilities, with a lot of pictures!


    
This message has been edited by pc01 on Dec 21, 2003 12:42 PM


 
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The new factory

December 20 2003, 6:07 AM 


 
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The Haute Horlogerie facilities

December 20 2003, 6:09 AM 


 
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The Daniel JeanRichard Museum

December 20 2003, 6:10 AM 


 
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Some tidbits of GPīs case production

December 20 2003, 6:12 AM 


 
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The GP Museum and Villa Marguerite

December 20 2003, 10:17 PM 


 
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GPīs art of watchmaking - a pictorial

May 9 2004, 2:57 PM 


 
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The story of John Harrison (guest contribution by Mark)

August 27 2004, 11:34 AM 

weīre lucky!
Mark (aka MdV aka Radiomirio) was so kind to dig into the story of John Harrison, who happens to be not only the patron of the Sea Hawk II "To John Harrison", but to be one of the most famous watchmakers of all times.
His achievements are phenomenal, particularly in the field of chronometry and high precision timepieces. And thatīs, as we discussed a bit below, a specific field of great experience and heritage for GP as well.

So here we go, a most interesting lecture about a great man:



click here for the full story


And please join me in expressing

big thanks to Mark!!



Enjoy!

Greetings from germany,

Peter

 
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The history of the Sea Hawk models - and Errol Flynn...

April 17 2005, 1:39 AM 



click here to get magically transported there


and learn why the Sea Hawk is one of the oldest model lines by Girard-Perregaux.

Cheers,

Peter


 
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